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Thanks, I'll give it a go.
You may be aware that when Olympus was making cameras, it was rumoured that it had a strained relationship with Adobe. Being a small fish in a big pond, Olympus was secretive over its IP, including colour profiles. It would be a shame if that was still the case with...
After further testing, I've found I had made an error and my statement above is incorrect. OM Workspace is consistent in the rendering of both raw and jpg. So, the problem lies with LrC. Coincidentally, someone on another forum, also with an OMS OM-1, has complained of the LrC Camera Matching...
If you mean, have I calibrated the monitor, then yes. The desktop monitor is calibrated to Adobe RGB but this laptop I'm typing this on is sRGB but I'm seeing the same thing.
I extracted the jpg from the raw as suggested above. That shows that the out-of-the-camera jpg is indeed enhanced as expected but still leaves the question as to why the developed raw is even more saturated, as I demonstrated with the images above. I thought it was an Adobe issue, but it seems...
I think I've written this before. I was testing AI Denoise against other software on a full moon shot. It was on 100%. I pixel peeped the detail then thought I'd discovered an alien moon base, but it was artifacts. The artifacts were larger and more localised than sharpening artifacts. It's...
About the same as the AUD, so not a problem :)
It's not a big deal for me. I would edit how I like it anyway, mostly from raw. I was just curious as to why the big difference and was it perhaps my settings.
This was shot as a jpg + raw, imported into LrC and exported directly as jpgs for this thread. It was shot with the Camera Natural profile. The raw is an ORF file. The first is the jpg, the second the raw.
To my eyes, the jpg looks natural although I would probably want to enhance it a bit...
I'm wanting to attach a couple of explanatory images to another thread. Using the "Insert image" icon, I've reduced the image size a long way and still get a message that the file is too large. I assume there's a file size limit stipulated somewhere but I couldn't find it. Any ideas?
I understand that. You second para is exactly my point, one would expect them to be similar but they seem different enough to suggest something else is going on. It's very noticeable if bursts are shot in raw + jpg. In culling, one clearly sees the change from raw to jpg in each successive...
When shooting raw + jpg and importing, the rendering of the two appear noticeably different. The unedited raws look better than the jpgs, which surprises me. My understanding is that when Adobe creates camera matching profiles, they are intended to make converted raws look as close as possible...
The conventional wisdom seems to be not to create 1:1 previews in import, but I find having them all up before starting the cull, greatly speeds up culling.
In terms of raw conversion, there are those that know this sort of thing better than I, that believe that third party apps cannot match the manufactures' apps. My own testing has shown that OM Workspace (OMW) can elicit ever so slightly more detail from an ORF than LrC. How they do it is, of...
What is disappointing is that Adobe still doesn't recognise the OM System file type .ORI. That makes things awkward. The work around by is by changing the file name and type but the easiest way is to simply add .ORF so the file name becomes ***.ORI.ORF.
By way of explanation, with OM System...
Yes it is. Maybe you didn't recognise it as "OM Digital OM SYSTEM OM-1 Mark II". The "OM Digital" is redundant. "OM System OM-1 MkII" would be more succinct.
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